Cathedral Church of St. Philip and Jacob and the Bell Tower
Above the old part of Novi Vinodolski, on a plateau of a rocky cliff that steeply descends towards the sea, stand the 36-meter-high bell tower and the Cathedral Church of St. Philip and Jacob.
The old church had a bell tower on its roof until the years 1909–1911. During that period, a new bell tower was built separately from the church, and the old rooftop bell tower was demolished. Today, Novi Vinodolski is recognized by its distinctive skyline, dominated by the tall, white bell tower.
On the site of today’s bell tower, a votive church dedicated to St. Fabian and Sebastian was built in 1551. According to legend, the people built it in just 24 hours to protect themselves from the plague, which repeatedly ravaged the region at that time.
The present-day cathedral is built in a basilica style with three naves. On the outer side of the western wall of the church, the year 1520 is engraved using a combination of Arabic and Roman numerals, followed by Glagolitic script. It is believed that this marks the year of renovation or expansion, as it is known that a church already existed in Novi at the time the Vinodol Code was enacted.
In the church, in front of the main altar, lies the tomb of Christopher Dubrovčanin (Petančić), the Bishop of Modruš, who fled with his chapter from Modruš before the Ottoman invasion and found refuge in Novi Vinodolski. He passed away there in 1499. His tombstone is made of marble and features his image with a Latin inscription. To the right of the altar is the tomb of Bishop Ivan Krstitelj Caballini, and to the left is that of Bishop Ivan Krstitelj Ježić. Above the sacristy door is a relief tomb monument of Canon Abbot Nikola Mrzljak, the General Vicar of the Modruš Diocese during Bishop Ježić’s tenure. On the side altar, there is a wooden Gothic Madonna from the 15th century.
The Cathedral Church also preserves ornately carved wooden choir stalls from the second half of the 17th century. These stalls represent a masterpiece of woodcarving from the last period of Frankopan rule. The altars were built in the 19th century in a neoclassical style.